By Rajiv Kaushik
Art, Language and determine in Merleau-Ponty takes up the novel job of the figured philosophy to render brilliant and linguistic areas sooner than the idea in their separation. Kaushik situates Merleau-Ponty's criticisms of Saussure's linguistic approach, in addition to a extra basic repudiation of the act of inscribing in favour of an abstracted textual which means, during this context. Following the artists most vital to Merleau-Ponty's personal writings on paintings, resembling Paul Klee and his fascination with hieroglyphics, and increasing those analyses to newer twenty first Century artists comparable to Cy Twombly, Kaushik takes an expedition into the locations the place artwork and language, snapshot and textual content, drawing and writing, determine and discourse, are interlaced in Merleau-Ponty's final ontology. In view of those intersections, Kaushik eventually argues, the murals offers us the areas the place the chances of philosophy, either prior and destiny, dwell. because the first sustained remedy into the connection among paintings and language, this can be a big contribution to Meleau-Ponty's philosophy and students of aesthetics.
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Additional resources for Art, Language and Figure in Merleau-Ponty: Excursions in Hyper-Dialectic (Bloomsbury Studies in Philosophy)
Art, Language and Figure in Merleau-Ponty: Excursions in Hyper-Dialectic (Bloomsbury Studies in Philosophy) by Rajiv Kaushik